Centro Ceramica Triana – inside Seville’s now-open tile museum

tiles, Triana, Seville

The entrance to the museum, in Calle Antillano Campos, next door to Ceramica Santa Ana.


Beautoiful ceramic tiles on pillar base in the museum's entrance.

Beautiful ceramic tiles on pillar base in the museum’s entrance.

Almost a year later than scheduled, the Centro Ceramica Triana, which explores the history of Seville’s world-renowned, centuries-old azulejo (ceramic tile) tradition in the  riverside barrio, is finally opening. I was shown around in an exclusive preview a year ago, and here’s the full and detailed blog post I wrote about it then. Originally the opening was intended for early October, but the date shifted back and back, partly due to complications in restoring some of the more delicate and ancient pieces (or at least that’s the story I heard), and probably also due to the Ayuntamiento (city council) bickering with the Junta (regional government) about various aspects of the new centre. Coming from different sides of the political fence, they tend not to see eye to eye.

I had heard a recent rumour that the museum would be opened to coincide with the Vela Santa Ana, Triana’s own feria (20-27 July, in Calle Betis as seen in my header photo), and on Tuesday a friend confirmed that the museum was indeed now unofficially open for visits, free of charge, until its official inauguration in a week’s time. So on Wednesday, the night before our departure for the annual summer visit to England, I went to have a look. Girls in colourful stripey wrap dresses were showing small groups around the new museum. No photos are allowed at this stage, as the museum is pre-inauguration, so I will have to explain in words rather than visually, plus with some previously unused photos from my visit last year. Why not wait till it opens and then take photos? I hear you ask – well that won’t be for another month, and if I don’t write something now, most likely I never will.

Upon entering, we were taken to a dark room where an audio-visual presentation explained the raw materials used in making azulejos – water, from the river Guadalquivir, which has shaped the identity of Triana, famous for its sailors who ventured across the oceans with Columbus and Magellan; and alartigo mud, from its banks, who texture is ideal for moulding (the word for mud, barro, is used for uncoloured natural brown ceramics). Pigments are used to colour, or glaze, the ceramic pieces.

Basins for grinding and mixing pigments to colour the tiles.

Basins for grinding and mixing pigments to colour the tiles.

Tiles showing the colours used.

Tiles showing samples of the colours used – these now adorn the wall of one of the patios.

The short presentation used video projected very effectively on screens on both the walls and floor – showing a boy kneading clay with his feet, and potters painting designs onto pieces. After this we went into a room with ceramics at each stage of the production press, with explanatory panels in both England and Spanish, themed around the four elements: earth (the mud), water (used to make the clay), fire (to heat the kilns) and air (to dry the pieces).

In another room, pieces of bizcocho (not cake, but unfired pottery) were arranged on the wall in an appealing mosaic style – small plates, letter tiles and bricks all donated by Montalvan, one of the most important ceramics factories in Triana, which closed just two years ago. You can still see its wonderful façade close by in calle Alfareria (Pottery Street); if you go, look up as you’re standing on the street outside – even the underside of the balconies tiled.

The kilns in Ceramic Santa Ana's factory were named after famous bullfighters who hailed from Triana.

The kilns in Ceramic Santa Ana’s factory were named after famous bullfighters who hailed from Triana.  You can see these tiles by their respective ovens.

We saw beautifully constructed round kilns, dating from the 16th and 20th centuries, from large ones, metres deep, to small ones with shelves to accommodate tiles; a well; a millstone for grinding the pigment colours; basins for the same, and sample tiles with each colours. My previous post has ample pictures of these.

A Ceramica Santa Ana advertisement, mid-20th century.

A Ceramica Santa Ana advertisement, mid-20th century, as seen last year; it’s now up on the wall.

Then it was upstairs to see the pieces themselves – the don’t-miss ones I would suggest you look out for are the Islamic carved pillars, with intricate horseshoe and scalloped arch designs; the alicatado tiles with those geometric designs which decorate the Alcazar (tiling of interiors was introduced by the Moors in the 12th century). Of special interest to British visitors are those produced at the Pickman factory, especially an exquisite late 19th century white vase with a lily design, and huge panel showing birds, plants and insects: swallows, butterflies and peacocks, part of the Victorian obsession with the natural world. Pisano tiles from the Renaissance played an important role in the development of the art, where a design in painted over a section of tiles, in bright yellows, greens and blues, to make a large, detailed picture – as seen in the Carlos V section of the Alcazar.

Triana, azuljo, tiles, tiles, azulejos, Santa Ana, Ceramica Santa Ana

Ceramic tile map of Sevilla in Plaza de España; red circle marks the location of the new museum.

For those interested in the history of Triana and of Seville, a blown-up black and white photo showing the Ramos Rejana factory offers a fascinating insight into how the barrio looked about 100 years ago – one metal bridge is visible over the Guadalquivir. The impressive San Jacinto church is clearly visible, with many tall “bottle” chimneys, like those which can still be seen today at La Cartuja, where Englishman Charles Pickman built his ceramics factory in a then-abandoned historic monastery.

A map from 1929, showing the location of ceramics factory at the time, marks Plaza de España as being “Under construction”, with a whole new Nervion barrio based around Gran Plaza, which was never completed. You can learn about all the succession of ceramics factories which closed down from the end of the 19th century until just a few years ago. One of the most enjoyable parts of my visit was the section on the barrio of Triana itself: its corrales (communal patios), music, festivals.

Triana, El Rocio

The house of the Triana hermandad in the town of El Rocio, used to accommodate pilgrims during the famous spring pilgrimage, is decorated with ceramic tiles made in the barrio.

You start off by watching a video, where aging but sprightly Trianeras describe how they used to live in the corrales (communal courtyards) – 6 or 7 to a room, 4 to a bed plus mattresses on the floor. Some bread to eat, “but we were happy, because we laughed, we sang, we danced.” Scenes of local devotion from Semana Santa, Corpus Chico and El Rocio emphasise the role played by the independent-spirited riverside area in religious festivals.

In addition, you can listen to different types of flamenco songs, or palos, from seguiriyas to bulerias, plus one I’d never heard of called a debla. Finally, an interactive screen has maps showing points of interest around the barrio - buildings, churches, corrales, and of course pottery workshops. I was intrigued to learn that where the Faro de Triana restaurant is, by the bridge, used to be an estacion maritima – maritime station, or dock. As shown in the video about Triana, there are still gilding, pottery and sculpting workshops manned by artesans in the barrio. And there was talk of offering pottery demonstrations and classes at the museum. Who knows, maybe this exciting new attraction will inspire a revival of interest in these traditional, treasured arts.

Centro Ceramica Triana is open Tuesday to Saturday 10am-2pm, 5pm-8pm.

Game of Thrones Series 5: Twelve things you didn’t know about the Alcazar of Seville

Alzacar, Seville, Games of Thrones

Exquisite arcades of the Patio de las Doncellas, one of the Alcazar’s most famous areas.



Gallery of kings in the Ambassadors´Hall.

Gallery of kings in the Ambassadors´Hall.

The façade of the Palace of King Pedro, with a mix of architectural styles which inspired the Comares palace of the Alhambra.

The magnificent façade of King Pedro’s Palace, with a mix of architectural styles which is said to have inspired the Comares palace of the Alhambra, built by Mohammed V shortly afterwards.

Seville is abuzz with excitement about the news that series 5 of Game of Thrones will be filmed here in the city – at the Alcazar. The hugely successful HBO fantasy drama, which is inspired by European history and set in a magical medieval-era world, has a massive international fan base and has received widespread critical acclaim. Using the Alcazar as a location will bring Seville’s exquisite royal palace-fortress to global attention. (Personal confession: *whispers* I’ve never watched GOT myself, but will be remedying that situation by ordering some box sets shortly to bring myself up to speed.)

The royal palace – one of my own personal favourite monuments in Seville – has a long and fascinating history starting in Moorish times, passing through Gothic and Mudejar to Renaissance. In case you don’t know the Alcazares Reales, as they’re correctly named, here are some interesting facts about this beautiful complex of buildings. Plus some photos of its wonderful interiors and gardens, of course.

1) The Alcazar (as we’ll refer to it here) is a UNESCO World Heritage Site; part of a complex along with the Cathedral and Archive of the Indies, across the same plaza from the palace. The complex won World Heritage status in 1987.

This triple stone arch is one of the Alcazars only remaining Moorish features.

This triple stone arch is one of the Alcazar’s few remaining Moorish features.


2) Contrary to popular belief, it is (mostly) not a Moorish palace – the Alcazar has one courtyard which dates from Moorish times, the Patio de los Yesos; three arches at the entrance of the Patio de Monteria; plus the exterior walls were built by the Almohads, who also built the Giralda and Torre del Oro. The rest of the Moorish-looking areas are, in fact, mudejar - made by Moorish craftsmen under Christian rule, adapting their art forms and skills to Christian styles. The mudejar part was finished in 1364.

Peacock in the Carlos Throne Room - animals couldn't be depicted in Arabic art; this is mudejar: by Moorish artesans, for a Christian king.

Peacock in the Phillip II Ceiling Room – animals couldn’t be depicted in Arabic art; this is mudejar: by Moorish artesans, for a Christian king.

For example, Islamic art cannot feature representations of people or animals, only geometric and naturalistic shapes and patterns. Mudejar art, on the other hand, has people, animals and fantastical creatures – for example, look out for the peacocks in the Phillip II Ceiling Room, above the triple arch, and the tiny heads on pillars in the Patio de las Muñecas. The legend goes that if you manage to spot them all, you’re either very lucky, or pregnant!

Seville, alcazar, Game of Thrones

An Arabic philosopher in the Patio del Yeso, the oldest part of the Alcazar – part of a dramatized night-time visit.

3) The oldest part of the Alcazar, the Patio del Yeso, dates from 1170-90. It was built by the Almohads, the last Moorish dynasty to rule Seville.

4) Archaeological excavations in the Patio de Banderas, the plaza you walk through when you leave the Alcazar, revealed Moorish, Roman and prehistoric remains – the earliest was a kitchen from the 8th century BC. Plans to preserve these historic gems for public view have been put on hold. If funds are the issue, then presumably the revenue from filming should remedy that problem, .

5) The Alcazar is the one of the oldest continuously inhabited royal palaces in Europe. The Royal Family stays in the Upper Palace apartments when they’re in Seville. This part of the palace was expanded by the Catholic Monarchs – they lived there in winter, as it was more protected from the cold and damp of the ground.

The Baths of Maria Padilla, a secret hideaway under the palace.

The Baths of Maria Padilla, a secret hideaway under the palace.

6) The Baths of Maria Padilla, with a hidden entrance in the Dance Garden, are so-called because this was the preferred place of King Pedro’s mistress Maria, who was declared Queen when she died.

Mudejar architecture: Islamic-Christian co-existence. Arabic characters spell out the phrase "Nobody is victorious but Allah", surrounded by Castillian Spanish "... conquering Don Pedro...".

Mudejar architecture: an example of Islamic-Christian co-existence. Arabic characters spell out the phrase “Nobody is victorious but Allah”, surrounded by Castillian Spanish “…conquering Don Pedro by the grace of God…”.

7) There is a bilingual/bi-religious dedication on the façade of King Pedro’s Palace – in Arabic and Castillian Spanish – as well as many other dedications around the palace which mix cultures, such as “Glory to our Sultan Peter!”

Artesonado door made by mudejar craftsmen.

Detail of artesonado door made by mudejar craftsmen.

8) The finest mudejar craftsmen worked on the Alcazar, as sent by Mohammed V of Granada who was repaying a favour which the Moorish king owed to King Pedro for lending him troops to quash a rebellion.

seville, alcazar, game of thrones

The Admiral’s Quarters, where the House of Trade was located.

9) Christopher Columbus met his royal patron Queen Isabella – of the Catholic Kings – here, to discuss the details of second voyage, in 1496. Part of the palace was used as the Casa de Comercio (House of Trade).



Alcazar, Seville, Game of Thrones

Ridley Scott’s Kingdom of Heaven was filmed in the Alcazar.


10) A number of movies have been filmed in the Alcazar, including Lawrence of Arabia, Reds, 1492: The Conquest of Paradise (including scenes of Columbus and Queen Isabella), and Kingdom of Heaven. The most popular part of the palace for shooting is the Patio de las Doncellas.

King Pedro and Maria de Padilla in the Patio de las Doncellas.

King Pedro and Maria de Padilla in the Patio de las Doncellas, in a dramatized night-time visit to the Alcazar.

11) You can visit the Alcazar at night: as part of the theatrical visits, where actors play roles of important people in the palace’s history (Columbus, Queen Isabella); and to hear a concert, as part of the summer concert season June-September.

Alcazar, Seville, Games of Thrones

Sunken garden with orange trees in the Patio de Doncellas; it was only uncovered ten years ago, having been paved over for four centuries.

12) The Patio de las Doncellas (Maidens) was restored to its original form in 2005, with orange trees planted in a lower patio by those clever Moors (who knew a trick or two about both gardening and irrigation) so the fruit could be picked easily from ground level, without having to reach up.


It is believed that the Alcazar will represent the kingdom of Dorne in Game of Thrones season 5, not yet featured in the series, while Osuna, a town in Seville province 90km east of the capital, will be Westeros and Essos. The TV series is based on the series of books A Kingdom of Ice and Fire, by George RR Martin.

Game of Thrones series 5 will start filming in Belfast later this month – the production is based in Northern Ireland – with shooting in Andalucia expected to begin after the summer. The latest series, which was the fourth, finished airing in June. Average gross audience was 18.4 million, according to HBO’s figures.

Previous shooting locations for GOT have included Iceland, Croatia, Malta and Morocco. Tourism organizations in such filming locations have reported considerable increases in bookings after their locations appeared in Game of Thrones – one website saw increases of 13% in Iceland and 28% in Dubrovnik (Croatia). In 2013, bookings increased by 100% in Ouarzazate, Morocco, where season 3 scenes were filmed. It is estimated that filming in Andalucia will bring in around 80 million euros. Hopefully plenty of that will go into families’ mouths, rather than politicians’ pockets.

Snapshots from El Rocio 2014

This rociera has a peineta dedicated to the Virgen de las Marismas.

This rociera has a peineta (comb) dedicated to the Virgen del Rocio, adored focus of Spain’s biggest pilgrimage.

Oranges tied to a simpecado (float carrying an image of the Virgin del Rocio), with ribbon in Andalucian and Spanish colours.

Oranges tied to a simpecado (ox-drawn float carrying an image of the Virgin del Rocio), with ribbon in Andalucian and Spanish colours.

La Paloma Blanca, the White Dove - another name for the Virgen del Rocio.

La Paloma Blanca, the White Dove – another name for the Virgen del Rocio.

The pregon, who shouts out the Virgen chants - "Viva la Virgen del Rocio!"

The pregon, who shouts out the Virgen chants – “Viva la Virgen del Rocio!” – outside the church. The large brown bulk on the right is the ox, which pulls the simpecado cart, with its driver.

Walking staff with ribbon to show which town the rociero comes from, with some rosemary tucked in the top.

Walking staff with ribbon to show which town the rociero comes from, with some rosemary tucked in the top.

This carreta even has a matching upstairs bedroom window.

This carreta even has a matching upstairs bedroom window.

Every year I can, I scoot off with my trusty camera to capture the rocieros as they set off on Spain’s biggest annual pilgrimage to a small town in Huelva province – El Rocio.

As many others have affirmed, this romeria has a debatable religious element, with a large dose of fiesta fervour. Most genuinely adore the Virgin de las Marismas, as she is also known (as well as La Paloma Blanca), but for some it’s more the idea of a week-long drinking, dancing and everything-else-you-can-think-of session which attracts. I don’t care what they get up to, personally, as long as they treat the poor animals (horses, mules and oxen) used for carrying and pulling, responsibly – but sadly they don’t always, as around 15-20 die each year, a unpleasant aspect of the event which is garnering increasing publicity and controversy.

Here are some images from this year’s vintage, as the various hermandades (brotherhoods) set off on the Spain’s largest romeria: typical sights like the brightly-coloured frocks in the sunshine, and the pretty carrozas (gypsy caravans), but also some views and perspectives you may not have seen, and details which I found interesting.

Three flowers

Three flowers – and a bit of extra foliage, just for good measure.

This shot is blurred, but you can see the face of the Virgen del Rocio on this lady's peineta (comb).

This shot is blurred, but you can see the face of the Virgen del Rocio on this lady’s peineta (comb).

Hair decorations for El Rocio are more rustic than for the Feria - a sprig of rosemary with wildflowers, and a sunflower (currently flowering all over Andalucia).

Hair decorations for El Rocio are often more rustic than for the Feria – ears of wheat, a sprig of rosemary, wildflowers, and a sunflower (currently glowing in fields all over Andalucia).


Santa Rufina and Santa Justa, two of Seville's patron saints, with the Giralda.

Santa Rufina and Santa Justa, two of Seville’s patron saints, with the Giralda. On the roof of the simpecado of the Seville El Rocio Hermandad.



A colourful romeria scene - girls with their carrozas and bright dresses in the plaza in front of the Giralda.

A colourful romeria scene – girls with their bright flamenco dresses and carrozas (gypsy wagons) in the plaza in front of the Giralda.

Line of prettily decorated gypsy wagons next to the Giralda.

Line of prettily decorated gypsy wagons next to the Giralda.

Carrozas passing the Moorish Torre del Oro, by the river.

Carrozas passing the Moorish Torre del Oro, by the river.

The effort women put into making themselves look good here in Spain has never been under question, but for El Rocio, the hair accessories which the rocieras use to decorate their barnets can be especially creative. Whether they look good after tramping the 80km from Seville to El Rocio – through rivers and across the countryside, camping out at night, for three days in the heat – is another matter. But as they left Seville and surroundings towns, the level of artistry was impressive.

A major tradition such as El Rocio pilgrimage is composed of many details and moments, one of which is the pregon – like a crier – who calls out in adoration of the Virgin.

This is the chant the pregon shouts as the image of the Virgin images visit significant locations such as local churches, or in the case of Seville the Town Hall, before setting off for El Rocio (he is answered by the rocieros - with a resounding “Viva!”). Each time I heard it, by the time I’d got my camera onto the video setting, they’d finished.

“Viva la Virgen del Rocio! Viva!
“Viva la Paloma Blanca! Viva!
Viva la Reina de la Marismas! Viva!
Viva la Pastora Divina! Viva
Viva la Madre de Dios! Viva!”

Long live the Virgin del Rocio!
Long live the White Dove!
Long live the Queen of the Marshes!
Long live the Hold Shepherdess!
Long live the Mother of God!

The three Ferias of Seville: the caseta

portada, alumbrado, Feria, Sevilla, Feria de Abril, Feria 2104
The portada (entrance) of the Seville Feria lit up on the first night – Monday: the alumbrado.
Feria, Sevilla, fish

Pescaito frito – fried fish, the traditional dish for Monday night at the Feria de Sevilla.

Every thing is done to extremes at the Seville Feria - like this flamenca's three flowers (most women only wear one, or two).

Everything is done to extremes at the Seville Feria – like this flamenca’s three flowers (most women only wear one, or two). But it works.

Last week was the Spring Fair here in Seville – officially called the Feria de Abril (April Fair), but this year held in May. It’s a fantastic event, utter mayhem of crowds and horses and heat and manzanilla sherry, where you need stamina and a strong head for drink, a decent grasp of Spanish, but above all you need friends. Friends with casetas. These are the small stripey tent-houses (or large, for companies, and the public casetas, for areas of the city and political parties) where all the action takes place.

Feria, Sevilla

Keeping track of friends at the Feria by mobile phone (WhatsApp is the preferred means of telecommunication) is an essential part of the experience.

After this year’s Feria, which was a vintage one for me, even though I didn’t even manage to meet or visit everyone I had intended to, I came to the conclusion that there are three experiences of the Seville Feria, all completely different.

The first Feria is for those who have a caseta. This doesn’t necessarily mean it’s your own – casetas are owned (and the costs are shared) by groups of people – friends, family, associations. It could be your in-laws’ (the commonest option among the Sevillanos I know) or your company’s. You have your own base where you can invite friends, or mention you’ll be there on a certain day if they would like to drop by and visit (you’ll also go out caseta-hopping to visit your friends in theirs). The doormen can be informed if you’re expecting guests, so he knows to let them in even if you’re not there at the time.

Feria, Sevilla

Ingenious, aesthetically-pleasing method of keeping socios’ possessions easily accesible.

Each socio (member) has a tab for food and drink at the bar, and you tend to be generous about entertaining visitors to your caseta. If you’re canny, like some casetas owners I heard about this year, you can rent your caseta out by the hour to Chinese or German tourists for a four-figure amount which will substantially reduce the annual fee paid by the caseta’s socios.

With friends in a caseta - our kind host is in the centre.

With friends in a caseta – our kind host is in the centre.

The second Feria is when you have friends with casetas. As always, it’s a case of not what you know, but who you know. Invitations are carefully sought and cherished in the weeks leading up to this extraordinary event, the mother of all ferias (for many towns in Spain hold their own, scaled down accordingly from the 1,000-odd casetas at the Seville event). If you’re lucky enough to be invited to a friend’s caseta (or their parents’, or company’s), once you’ve called/texted/WhatsApped to check they’re there and found them, you will be plied with food and drink, and when you try to respond to your hosts’ generosity by repaying in kind, your offer may or may not be accepted (in some casetas only socios can pay).

Dancing Sevillanas in a private caseta at the Feria.

Dancing Sevillanas in a private caseta at the Feria.

As a Brit who is very aware of courtesy, and the importance of getting one’s round in, especially as a guest, I find that a little difficult to get used to – while not for a moment complaining about the wonderful Sevillano hospitality. You just have to accept it – it’s part of the Feria protocolo (code of behaviour).

The third Feria is for those who, sadly, don’t know people with casetas (or who didn’t get an invite). Obviously they can still come to the Feria – entrance is free, they can watch the procession of magnificent horses and carriages, walk around the streets, and soak up the atmosphere, as well as going to one of the public casetas - for the six Seville barrios, plus political parties and trade unions. Tourists who come must find it an extraordinary sight, if rather closed-off – women dressed in frilly flamenco frocks partying away behind closed doors (well, canvas awnings). I have heard more than one person describe the Seville Feria as “1000 wedding receptions you’re not invited to”.

Sevilla, Feria, Feria de Sevilla

Ladies in flamenco dresses riding in a carriage – one of everyone’s favourite sights at the Feria.

Many feel it is too exclusive, and only for the “have”s (or have-a-friends), when it should be for everyone. My husband is in that camp, although he’ll go to his trade union’s caseta. I noticed that this year, when it got to the small hours, there were many more young people having a bottelon (drinking in the street from bottles they’ve brought with them) than in previous years, Note that other Ferias, apart from the Seville one, don’t have the same system of private casetas as here – all are open to everyone.

This year I went one night with a friend of a friend, who had already been at the fair for three days on his own, taking photos for a project. He hadn’t even been inside a caseta. We took him round to meet our friends at their casetas, and he was bowled over by the friendliness and hospitality shown to him by the Sevillanos, and astonished by the world of difference between la Feria en la calle, and la Feria en las casetas.

What’s your experience of the Feria de Sevilla? Have you been to a private caseta, or a public one?

Next year’s Feria is 21-26 April 2015.

While I’ve got your attention (hopefully), I’m going begging for votes. I’ve been shortlisted in the Travel section of the Brilliance in Blogging Awards, the major UK mum blogging awards. To get to the final of the awards, I need your help! Please vote for me, by clicking on this link, going to Travel, and ticking the box next to Scribbler in Seville. Mil gracias!


Domingo de Ramas: La Paz in the park

Semana Santa, Sevilla, procession, Maria Luisa Park

Two boys watch from a perfect vantage point as the Virgin of La Sed arrives at Plaza de España.

Semana Santa, Sevilla

These military-style uniforms for the mounted band of La Paz are typical of the pageantry that is Semana Santa in Seville.

Semana Santa, Sevilla, procession, Maria Luisa park

Check out the “tails” of these helmets.

Semana Santa, Sevilla, procession, Maria Luisa park

The Cruz de Guia, carried by nazarenos from La Sed, which marks the official beginning of the procession.

Children ask for sweets from a nazareno - "Nazarena, dame un caramelo!"

Children ask for sweets from a nazareno – “Nazareno, dame un caramelo!”

Nazarenos start young, and junior to them are monaguillos, or altar boys, who carry baskets of sweets to give out to children along the procession route.

Nazarenos start young, and junior to them are monaguillos, or altar boys, who carry baskets of sweets to give out to children along the procession route.

Plaza de España, Seville, Sevilla, Semana Santa

Nazarenos approaching Plaza de España – you can see one of its towers of the right.

The first procession to go out in Semana Santa (Holy Week) here in Seville is La Paz, on the afternoon of Domingo de Ramos (Palm Sunday). Dressed in long white robes and tall, pointed hoods with eye-holes – nazarenos; and the same white robes, without hoods but carrying black crosses – penitentes; the long snaking line of 1700 cofradia participants takes an hour to go past.

Jesus paso of La Paz passes Plaza de España. Sevillian extravagance from the early 20th century.

Jesus paso of La Paz passes the central area of Plaza de España: two examples of Sevillian extravagance – the baroque float with its richly-robed statues, and the supremely majestic neo-mudejar building – both from the first half of the 20th century.

The two highlights for thousands of people who, like me, had come to watch La Paz with friends and family, are the two pasos (floats) – one of Jesus de la Victoria, accompanied by the familiar Roman centurion with white feathered helmet, on a baroque gilded base which shone dazzlingly in the bright sunshine; and the other of Nuestra Señora de la Paz, the Virgin Mary under an intricate palio (pillared canopy) on a float of shining silver adorned with white flowers. This Virgin is well-known for the olive branch she carries – a sign of peace.

Semana Santa, Sevilla, Procession, Maria Luisa Park

Penitentes of La Paz carry their crosses through Maria Luisa Park on a glorious Sunday in April.

The first part of their route goes through Maria Luisa Park, which celebrates its centenary this year – it was created for the Ibero-American Expo of 1929, originally planned for 1914 but delayed by war and other factors.

Semana Santa, Plaza de España, Seville, Sevilla

Virgin de la Paz under her curtained palio (canopy).

The procession passes Plaza de España, one of the city’s most spectacular monuments and the centrepiece for Expo 29. This semi-circular sweep of bricks and tiled arches is a suitable backdrop of magnificence and grandeur for the dazzling religious statues with their carved decorations, fresh flowers and embroidered gowns.

Semana Santa, Sevilla, procession, Maria Luisa Park, costalero

These fellows, some considerably heftier than others, bear the weight of the pasos on their shoulders – they’re called costaleros. It’s hot and exhausting work, so these guys are taking a well-earned break. Note their corset-belts.

Plaza de España, Seville, Sevilla, Semana Santa

Penitentes passing Plaza de España.

I must state that my interest in the Semana Santa processions, is not a religious or spiritual one; it is more a case of appreciating the sense of theatre and passion which goes into them, and with which they’re received. For me, it’s about how people – in this case, Sevillanos – perceive their beloved effigies, as they are borne by men called costaleros from the church of their barrio to the cathedral, and back again. On this particular occasion, it was more of a nice day out in a beautiful park than any close allegiance to these statues – at least, that was my impression. Watching La Esperanza de Triana return to her church at the end of the Madrugada yesterday afternoon – well, that was an entirely different experience, ambience, crowd.

Over the past week I have taken over 1,000 photos of Semana Santa – I watched many pasos in landmark spots all over the city. So watch out for more posts with images of Holy Week processions over the coming days.